From the sequence "Nakba Museum"
If we are given access beyond the walls
have we entered a museum.
If we live in settlements
are we residing in a museum.
If we live in refugee camps
are we part of a museum.
If we drive on those roads
do we easily access a museum.
If we cross checkpoints and barriers
have we made our way to a museum.
If we are granted permits
can we enter a museum.
If there are no curfews
can we leave a museum.
If the Nakba is still in progress
can we visit a museum.
From Dear Darwish, Blaze VOX, 2014.
Poetry allows for conversations that could not or do not happen in real life. Born in Tel Aviv, Morani Kornberg-Weiss spent her early childhood in Southern California, did military service in Israel, studied at Tel Aviv University, pursued a Ph.D. in English at SUNY Buffalo's Poetics Program and now lives in Los Angeles, California. Her poems have been published in various print and online journals.
Her debut poetry volume, "Dear Darwish," is a series of letters/poems addressed to Mahmoud Darwish, who became known as the national Palestinian poet. He was born to a middle-class Muslim family on March 13, 1941, in the village of Birweh, east of Acre. In the 1948 war, which the Palestinians call their Nakba – Catastrophe, in Arabic – his family fled to Lebanon but later secretly crossed the border and settled in a town near their village, which had been destroyed. As a young man, Darwish moved to Haifa, where he published the first of his more than 30 volumes of poetry, and left Israel in 1970 to study in Moscow and thence to Cairo and Beirut. He joined the Palestine Liberation organization in 1973, accompanied Yasser Arafat to Tunisia and was barred from visiting Israel until 1995. He lived his last years in Ramallah but said the West Bank was never his true home. After heart surgery, he died in Texas in August, 2008. At his burial place in Ramallah, there is a Mahmoud Darwish Museum.
Darwish told Dalia Karpel in Haaretz in 2007: I have no home. I have moved and changed homes so often that I have no home in the deep sense of the word. Home is where I sleep and read and write, and that can be anywhere. I have lived in more than 20 homes already, and I always left behind medicines and books and clothes. I flee." Could a Jewish poet have said this?
In her poetry, Kornberg-Weiss makes extensive use of the rhetorical device anaphora, the repetition of a word or phrase at the beginnings of segments of a text, which is common to English, Arabic poetry and the Hebrew of the Bible and the liturgy.
Kornberg-Weiss talks about her views here.
*The syntax of all the sentences in the extract from Dear Darwish is interrogative but there are no question marks. Why?
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