Tal Niv

The spacing is right. Those who are moving are going nowhere, while the one standing still can go everywhere.

This is a photograph as intelligent as it is modest, dealing with the abolition of hierarchy and itself seemingly taken without hierarchy.

The week the secret became public, Maria Shriver appeared on a farewell program for Oprah Winfrey.

Spitzer makes a gesture of awkward patience, his gaze directed over her shoulder and the remnant of an exchange still hanging in the air.

In his work, Tim Hetherington tried to avoid the question of whether the war is justified as such.

These are the faces of the future and the faces of hope − the girl and the boy who have been part of Hebrew culture and Hebrew iconography since Zoltan Kluger’s sublime photographs of young pioneers.

Hot air balloons are a fantasy. An embodiment of the wish to fly. They are innocent, childlike and adventurous.

This is a photograph of a ghost camp below the Horn of Sartaba and its ruined fortress, north of the Dead Sea.

Gosh will be a star. Lalena sees that. He immortalizes her slightly self-indulgent melodrama, but also understands her and believes her.

The clown's costume glistens colorfully against the backdrop of a disputed building in the Al-Ras neighborhood, known in settler doublespeek as 'Peace House.'

Every photograph of a room empty of people contains the presence of those who are absent from the room.

There's an uncanny resemblance between this photo of Rabbi Ovadia Yosef and 'The Last Supper.'

Thousands of photographs of stone-throwing have been taken in the occupied territories, but precisely this photograph, taken from behind, captures the unquantifiable thing, the essence of "the situation" here in its deepest sense.

Shimon Peres, who is about two decades older than Hillary Clinton, is holding her hand and she is allowing it, helping him.

In this photograph of Chief of Staff Gabi Ashkenazi presenting the Southern Command insignia to incoming GOC Major General Tal Russo, there is much pride and laughter and puffed-out chests and toothy grins.

The couple photographed by Yaron Kaminsky in a convenience store at a gas station near Acre on December 30, is immortalizing its place within consumerism. This wedding is their product now.

Photographed at the march for human rights two weeks ago in Rabin Square, he is the boy fighting for the image of the nation whose future depends on his ideals.

Pavlov documents a drama of immigration, a sonata of contradiction between few means and a high self-image embodied in the love of music and dance

The image captures nature's sense of humor, its reaction to its interrelations with people. It's nonjudgmental.

The drag artist wearing a policewoman's costume in the photograph deserves the uniform more than Police Major General Uri Bar-Lev.

Deciphering the art of body language.

Linguistically, bein-hazemanim ("between the times" ) is not a summer vacation, but rather a stretch of time whose existence derives from what preceded it.

This is a photograph that shows what it means to have a gun put to your head, but also what it means to arrest - with threats and with firearms and in costume - another human being.