Two days in The Netherlands’ capital and a surprise gift: the premieres of new productions of ‘L’Orfeo’ and ‘The Fountainhead.’
Season three of the American incarnation of the Holmes-Watson chronicle offers new twists on the famous Baker St. duo.
True, there are characters, but there is no story, no plot. The musical is held together by an idea, and it created a fashion.
'Vanya and Sonia and Masha and Spike,' inspired by the Russian playwright, gets a moving rendition by the Haifa Municipal Theater and the Cameri Theater.
James Spader hunts bad guys while our TV critic does some research.
Most of us think we know what 'Shakespeare' is, but when we try to examine it, it turns out not only were we wrong, the examination itself was wrong. A discussion panel at the Cameri Theater this week examined producing Shakespeare
The programmers out there, behind the flat screen, present us with a contrived version of 'reality,' which in reality is nothing but.
A new theatrical version of a cult Israeli movie - Ephraim Kishon's 'Blaumilch Canal' - fails to inspire and simply doesn't capture the magic of the original.
A new TV mini-series captures the life and times of Ian Fleming, whose real-life adventures may even have rivaled those of his alter ego, 007.
There’s lots of laughs and good acting, but morality takes a back seat in the Cameri Theater's 'The New Criminals.'