Judging books for this year's JQ/Wingate Prize on 1930s European fascism, the fate of refugees refused asylum and mass warfare and its aftermath, it was clear how history refuses to stay neatly in the past.
David Grossman's prose in his latest work about a not-so-amusing stand-up artist strains to keep up as the comic dodges and feints - and smacks his forehead.
Israeli author Yuval Yareach's 10-year journey to write 'The Silences' was complicated by the fact that he knew so little about what his grandmother lived through.
In his rather radical survey of Jewish literature from antiquity to the last century, Adam Kirsch highlights the importance of eclectic religious and worldly texts and authors for synagogue-shy Jews today.
Morris' refined mannerisms and gentle style are likely to be misleading, because sometimes it seems as though these exist in him alongside some other quixotic, unpredictable and very provocative urges.
When Shmuel Yosef Agnon was evacuated to the Jerusalem home of the famed kabbalist Gershom Scholem during the War of Independence, he found a letter that would make every Airbnb host proud.
Maya Arad's new novel offers an accelerated lesson in the principles of the detective story. It’s intellectual, illuminating and brilliant — but also cold, mechanical and not particularly suspenseful.
Israel’s first conference devoted to Hebrew-language detective fiction proved a stark reminder that few fictional private eyes have left a mark on Israeli literature — although one has come close.
My magic wand: A short story by Leonid Pekarovsky.
Uri Avnery always saw himself as a foreign minister without a government, not a political activist. His memoir is a type of consolation for his political isolation.