Harvey Pekar, the Jewish comic book writer whose autobiographical series American Splendor portrayed his unglamorous life with bone-dry honesty and wit, was found dead at home early Monday, authorities said. He was 70.
The cause of death was unclear, and an autopsy was planned, officials said. Pekar had prostate cancer, asthma, high blood pressure and depression, said Michael Cannon, a police captain in suburban Cleveland Heights.
Officers were called to Pekar's home by his wife about 1 A.M.., Cannon said.
His body was found on the floor sprawled beside his wife on a snowy curbside with shopping bags on the ground.
Pekar never drew himself but depended on collaborations with artists, most notably his friend R. Crumb, who helped illustrate the first issue of the ironically titled American Splendor, published in 1976. It was made into an acclaimed 2003 film starring Paul Giamatti as Pekar. The most recent American Splendor was released in 2008.
"Harvey was one of the most compassionate and empathetic human beings I've ever met," Giamatti said in a statement. "He had a huge brain and an even bigger soul. And he was hilarious. He was a great artist, a true American poet, and there is no one to replace him."
Pekar's quirky commentary developed a following, and his insights and humor were often a bit on the dark side.
Lucy Shelton Caswell, curator of the Billy Ireland Cartoon Library & Museum at
Ohio State University, said it was inaccurate to describe Pekar's work as cult.
"His work was accepted by the mainstream," Caswell said. "It was bought by public libraries and read widely. The cartoon library has all of Pekar's works in its collection."
"He will be remembered as an innovator who wrote stories about ordinary things that were then illustrated by some of the most notable cartoonists of the late 20th century," Caswell said. "People identified with what he was writing about and the stories that these people were drawing because it was so ordinary."
In 2003, the New York Film Critics Circle honored American Splendor as best first film for the directing-writing team of Shari Springer Berman and Robert Pulcini. Part feature and part documentary, and with occasional animated elements, the film's tearing down of the fourth wall - with Giamatti, as Pekar, often appearing alongside the real.
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