Text size
this story is by
It's tough being an Israeli repertory theater, subsisting on public funds. Take the Cameri Theater. It has to maintain lively activity in auditoriums around the country; satisfy the artistic needs of its actors, directors and playwrights; discover new talent; fill the house night in and night out; sell tickets in regional auditoriums, as well as new season subscriptions - and, after all that, put out work that...
