Body moving: Batsheva Ensemble perform a ritual of precision in 'Max'
Choreographer Ohad Naharin’s imagination works overtime as he explores the universal language of movement.
This weekend, as part of its Jubilee Year celebrations, the Batsheva Ensemble will perform Ohad Naharin’s “Max” at the Suzanne Dellal Center in Tel Aviv. The dominant element in this work, which had its world premiere in 2007, is an accumulation effect that had already appeared in the choreographer’s “Kyr” (1990). The sequence of movements or text is repeated over...
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